Exhibition/event has ended.
"Manga Realities: Exploring the Art of Japanese Comics Today" Exhibition
Contemporary Art Gallery, Art Tower Mito
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Artists
Inio Asano, Moyoco Anno, Daisuke Igarashi, Taiyo Matsumoto et al.
This exhibition puts the spotlight on nine popular manga titles that have emerged since 2000.
The aim is to introduce narrative manga as it stands today – as the culmination of decades of development since the postwar period. Exhibitions of manga generally focus on original drawings by manga authors. In this exhibition, which is produced in close cooperation with authors, editors and others involved in the manga production process, the focus is on creating experiential, three-dimensional presentations of the worlds depicted in manga.
For years, manga artists have freely incorporated elements from other artistic forms, such as film and literature. Manga makes regular use of symbolism, and has developed into a cultural industry encapsulating much more than children's entertainment. Manga have been made on themes as diverse as sports, science fiction, gambling, love, violence and sex. As a cultural industry, manga reached its peak in the 1990s. Since 2000, the diversification of the manga readership has been mirrored by even greater diversification of themes and forms. It has got to the point where it is no longer possible to talk of a single, all-encompassing concept of "manga."
The changes that have occurred since 2000 include the blurring of what used to be clearly delineated gender- and age-specific manga genres; the appearance of manga as straight vehicles for particular characters, often with elements of "moe" (fetishistic appreciation of certain characters); and, the appearance of manga, known as "sekai-kei," in which the main character's personal and internal interests are tied directly with the fate of the world. But perhaps the most important change has been the broadening of manga's acceptance in society as a whole – both in Japan and around the world. That broadening is evidenced by the explosive growth of the dojinshi (self-published manga fanzines) market, the proliferation of television dramas and films based on manga, the referencing of manga in contemporary art, the growth of manga's export market, and – as a result of these developments – the emergence of international academic discourse on manga in such fields as Japanese studies, sociology, aesthetics and art history. To cope with the increased interest in manga, several universities have established new departments aimed giving instruction on its practical and theoretical aspects. For the first time, manga has come to be recognized as one of contemporary Japan's leading forms of culture.
How do manga artists give expression to the mood of the day? How do they use their essentially two-dimensional medium to depict complex relationships in time and space? Taking into consideration all of the changes that have occurred over the last decade, this exhibition gives three-dimensional expression to the challenges facing contemporary manga artists as well as the diverse experiments they devise to surmount them. This is more than an exhibition: it is an experiential space that captures the wonder and the potential of one of Japan's most important forms of expression, manga.
The aim is to introduce narrative manga as it stands today – as the culmination of decades of development since the postwar period. Exhibitions of manga generally focus on original drawings by manga authors. In this exhibition, which is produced in close cooperation with authors, editors and others involved in the manga production process, the focus is on creating experiential, three-dimensional presentations of the worlds depicted in manga.
For years, manga artists have freely incorporated elements from other artistic forms, such as film and literature. Manga makes regular use of symbolism, and has developed into a cultural industry encapsulating much more than children's entertainment. Manga have been made on themes as diverse as sports, science fiction, gambling, love, violence and sex. As a cultural industry, manga reached its peak in the 1990s. Since 2000, the diversification of the manga readership has been mirrored by even greater diversification of themes and forms. It has got to the point where it is no longer possible to talk of a single, all-encompassing concept of "manga."
The changes that have occurred since 2000 include the blurring of what used to be clearly delineated gender- and age-specific manga genres; the appearance of manga as straight vehicles for particular characters, often with elements of "moe" (fetishistic appreciation of certain characters); and, the appearance of manga, known as "sekai-kei," in which the main character's personal and internal interests are tied directly with the fate of the world. But perhaps the most important change has been the broadening of manga's acceptance in society as a whole – both in Japan and around the world. That broadening is evidenced by the explosive growth of the dojinshi (self-published manga fanzines) market, the proliferation of television dramas and films based on manga, the referencing of manga in contemporary art, the growth of manga's export market, and – as a result of these developments – the emergence of international academic discourse on manga in such fields as Japanese studies, sociology, aesthetics and art history. To cope with the increased interest in manga, several universities have established new departments aimed giving instruction on its practical and theoretical aspects. For the first time, manga has come to be recognized as one of contemporary Japan's leading forms of culture.
How do manga artists give expression to the mood of the day? How do they use their essentially two-dimensional medium to depict complex relationships in time and space? Taking into consideration all of the changes that have occurred over the last decade, this exhibition gives three-dimensional expression to the challenges facing contemporary manga artists as well as the diverse experiments they devise to surmount them. This is more than an exhibition: it is an experiential space that captures the wonder and the potential of one of Japan's most important forms of expression, manga.
Schedule | Aug 14 (Sat) 2010-Sep 26 (Sun) 2010 Opening Hours Information
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| Fee | Adults ¥900; High School Students and Under, Seniors 70 & Over, Persons with Disability Certificates + 1 Companion free. | ||||
| Website | http://www.arttowermito.or.jp/art/modules/tinyd2/index.php?id=2 | ||||
| Venue | Contemporary Art Gallery, Art Tower Mito https://www.arttowermito.or.jp/english/ | ||||
| Location | 1-6-8 Goken-cho, Mito-shi, Ibaraki 310-0063 | ||||
| Access | 20 minute walk from the North exit of JR Mito Station; From the North exit of JR Mito Station, take the Ibaraki Kotsu bus and get off at Izumicho-itchome. The venue is 3 minute walk from there. | ||||
| Phone | 029-227-8111 | ||||
| Related images | Click on the image to enlarge it |
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