Exhibition/event has ended.
Leiko Ikemura "Transfiguration"
The National Museum of Modern Art, Tokyo
Finished
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Artists
Leiko Ikemura
A woman floats up from the canvas ground. A person is depicted with a cabbage head. A hollow girl has no legs. A monster-like face suddenly emerges out of the rocks.
The somewhat mysterious figures that Leiko Ikemura creates stem from her interest in "transfigurations" such as being and nothingness; the evolutionary relationship between animals and people; unspoiled nature and human civilization. Ikemura considers changes that are apt to be seen as a one-way transition from A to B as complementary, able to move back and forth, meandering, and endless, and this is what she expresses in her work.
Ikemura also has a desire to make work that is ecological. The size of her paintings corresponds to that of the human body. For her sculptures, Ikemura chooses clay that can easily be returned to the earth, and in her drawings, she uses simple materials like charcoal and paper. In this approach, one detects Ikemura's distinct way of thinking, which is based on practical notions of what it means to be an artist making things in the current era.
In Ikemura's work, one senses a philosophy in the poetry, and an emotional strength in the silence. There is also a depth that appears to be flat. Her work, which gently embraces conflicting qualities, gives us a profound sense of the "transfigurations" that are necessary for us to consider at this point in time.
This exhibition, the first full-fledged retrospective of Leiko Ikemura's career to be held in Japan, comprises some 145 paintings, sculptures, and drawings presented in a space designed by an architect. Over half of the works arrive directly from the artist's atelier (i.e., they will be shown for the first time in Japan), and the exhibition will also feature new works.
[Image: Leiko Ikemura, 'Flying on Black' (1998-99) Toyota Municipal Museum of Art Photo: Hayashi Tatsuo]
The somewhat mysterious figures that Leiko Ikemura creates stem from her interest in "transfigurations" such as being and nothingness; the evolutionary relationship between animals and people; unspoiled nature and human civilization. Ikemura considers changes that are apt to be seen as a one-way transition from A to B as complementary, able to move back and forth, meandering, and endless, and this is what she expresses in her work.
Ikemura also has a desire to make work that is ecological. The size of her paintings corresponds to that of the human body. For her sculptures, Ikemura chooses clay that can easily be returned to the earth, and in her drawings, she uses simple materials like charcoal and paper. In this approach, one detects Ikemura's distinct way of thinking, which is based on practical notions of what it means to be an artist making things in the current era.
In Ikemura's work, one senses a philosophy in the poetry, and an emotional strength in the silence. There is also a depth that appears to be flat. Her work, which gently embraces conflicting qualities, gives us a profound sense of the "transfigurations" that are necessary for us to consider at this point in time.
This exhibition, the first full-fledged retrospective of Leiko Ikemura's career to be held in Japan, comprises some 145 paintings, sculptures, and drawings presented in a space designed by an architect. Over half of the works arrive directly from the artist's atelier (i.e., they will be shown for the first time in Japan), and the exhibition will also feature new works.
[Image: Leiko Ikemura, 'Flying on Black' (1998-99) Toyota Municipal Museum of Art Photo: Hayashi Tatsuo]
Schedule | Aug 23 (Tue) 2011-Oct 23 (Sun) 2011 Opening Hours Information
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| Fee | Adults ¥850, Students ¥450, High School Students and under ¥0 | ||||||
| Website | http://www.momat.go.jp/english/artmuseum/Leiko_Ikemura/index.html | ||||||
| Venue | The National Museum of Modern Art, Tokyo http://www.momat.go.jp/english | ||||||
| Location | 3-1 Kitanomaru Koen, Chiyoda-ku, Tokyo 102-8322 | ||||||
| Access | 3 minute walk from exit 1b at Takebashi Station on the Tozai line. 5 minute walk from exit 4 at Kudanshita Station on the Hanzomon and Tozai lines or Toei Shinjuku line. 15 minute walk from exit A1 at Jimbocho Station on the Toei Shinjuku and Mita lines or Hanzomon line. | ||||||
| Phone | 050-5541-8600 (Hello Dial) | ||||||
| Related images | Click on the image to enlarge it |
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