And Today in Tokyo…

This afternoon at 2pm, Jingubashi bridge in Harajuku — the typical gathering point between snap-happy, camera-wielding tourists and the harajuku kids wearing their outrageous outfits and make up — saw a collaborative performance between and artist and two musicians.

In Reviews by Ashley Rawlings 2007-03-17 print

Hilde Aagaard is a Norwegian visual artist who has produced a series of “Public Situation” works, performing art events that explore interactions between locals and foreigners.

Organized by curator Johnnie Walker, today’s performance, entitled Point Tokyo brought together violinists Karl Espegard and Bjarne Magnus Jensen to perform the original score Point by Arnt Håkon Ånesen.

Bjarne Magnus Jensen, Hilde Aargaard and Karl Espegard

While in Japan, Aargaard was inspired by the prominence of the colour red and the power of its symbolism. in Harajuku, the artist laid down a large, red circular carpet, recalling the hinomaru of the Japanese flag and working as a focus for public attention at this busy pedestrian junction of the city. Through this work, the artist aimed to “explore local people’s reactions to a foreign element expanding into their familiar, highly structured environment”.

As well as attracting listeners and a group of children who played on the carpet, Johnnie Walker encouraged some Harajuku goths to see and be seen in the middle of the performance; the sight of these goth kids standing next to the violinists in their suits was certainly a juxtaposition of cultures one notch stranger than what Tokyo residents usually see in this visual remix of a city.

Ashley Rawlings

Ashley Rawlings. Ashley is an editor, writer and translator, and was based in Tokyo from 2005 to 2008, where he conducted research into the history of Japanese postwar art at Sophia University. He was the editor of TABlog from 2006 to 2008. More information about his work can be found at www.ashleyrawlings.com » See other writings

Comments

  1. Stephanos
    2008-09-22

    Nice idea… and nice violinist, too!

About TABlog

TABlog's writers and video reporters deliver regular reviews, features and interviews to stimulate discussion about all sides of Tokyo's creative scene.

The views expressed on TABlog are those of the author and do not necessarily reflect those of their employers, or Tokyo Art Beat, or the Gadago NPO.

All content on this site is © their respective owner(s).
Tokyo Art Beat (2004 - 2012) - About - Contact - Privacy - Terms of Use