Hiroshi Sugimoto “Leakage of Light” opens at Gallery Koyanagi

Hiroshi Sugimoto, one of Japan’s most internationally recognised photographers, displays works from his “Theater” series in a solo show at Gallery Koyanagi.

poster for Hiroshi Sugimoto

Hiroshi Sugimoto "Leakage of Light"

at Gallery Koyanagi
in the Ginza, Shimbashi area
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The elevator doors open and you find yourself in the striking, low-lit ambiance of Sugimoto's exhibition.

Guests milling around the gallery,  one of Tokyo's largest commercial gallery spaces.

Hiroshi Sugimoto, in the blue jumper, talks with one of the guests at the opening.

The lights switch on and off automatically every fifteen seconds or so in this installation of 91 catalogues of Sugimoto's 'Theater' series, each with a day-glo cover that glows in the dark.

A mysterious wooden box, filled with fragments of blue glass, forms part of the installation. Ask the gallery staff for more details.

Ashley Rawlings

Ashley Rawlings. Born in 1981 in London. After a year of studying painting and mixed media at Chelsea College of Art & Design, he took on Japanese Studies at Cambridge. He moved to Tokyo in 2005, where he studies the history of Japanese post-war art at Sophia University and works as a freelance writer, translator and editor. As well as writing and editing for TABlog, he writes for the Japan Times and the ART iT website. He is also the editor of Art Space Tokyo, an intimate guide to the Tokyo art world. When not in galleries and museums or taking photographs, he enjoys losing himself in among Tokyo's skyscrapers, wandering silent streets, and riding out the occasional earthquakes. Will only consider returning to Britain once they've fixed the weather. Contact at: ashley (at) tokyoartbeat.com » See other writings

Comments

  1. john Sebben
    2007-12-22

    Well the mighty have fallen for the love of money. What is Sugimoto doing these days? Is he hard up for cash? I was hoping since i think he has a camera still that he went and added a few more theaters to his collection, but upon closer inspection i realized that these were just big prints of old negatives. Hmmm i thought then i enquired the price to be a whopping $350,000. Well congratulations for trying to get some of that money the collectors get from the auctions, but what are you doing? opening and re-opening sold out editions? Why not just make endless editions. I think he just needs money because he can sell any of his tchotckes to any corporate fund just on his name. I sincerely hope that he takes his money form this artwork- and goes into reclusion and re-thinks his world. He used to be really interesting but now it is trotting out the old works bigger and costlier and his other things are getting to be product shots. Cant he criticize himself? has he lost his marbles.

    What was that silly box; the glass beads of time?

  2. john Sebben
    2007-12-23

    P.S. try crossing the street and bridge and going to the gallery behind the Bridgestone Buildign Zeit has a satisfying exhibition of Toshio Shibata. Hurry along. the name is not quite as big but the work is more consistently engaging and trying to grow.

  3. kotosa motohashi
    2007-12-23

    I went to both sugimoto and shibata’s show.
    I saw this theater work of sugimoto several times and indeed this time he make them just bigger than before. In this point this show was boring though I like his theater series.
    Shibata’s show was quite interesting. Comparing to his previous black and white, this color new work is not so strong yet, but he tries to something new and exploring. That’s quite interesting point.

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