at Hidari Zingaro
in the Musashino, Tama area
This event has ended - (2015-05-09 - 2015-05-26)
Even though he prefers to call himself a cartoonist, JungGi Kim (pronounced ‘John-gi’ with a hard g) is probably best described as an artistic savant. Kim’s most notable creative asset is his memory, something he has developed over a number of years in a way almost no other living artist has been able to. His ability to render extremely complicated scenes near-perfectly from memory, without the aid of references, has stretched the boundaries of what many artists believed was possible.
Kim’s comic books and sketchbook series have garnered him significant acclaim, but it’s his phenomenal live painting events that have taken him around the world. In recent years he has accepted invitations to perform in France, America, all around Asia and now in Japan for his first show simply titled “Drawing Exhibition”.
The opening weekend of the exhibition kicked off at the Kaikai Kiki Gallery space with a 2 day live painting extravaganza. To everyone’s surprise illustrator Katsuya Terada appeared unannounced for a special collaboration on the first day. The pair worked side-by-side on an elaborate tribute to the science fiction and fantasy icon Moebius, whose birthday had just passed. During one of his well-earned breaks, I asked Kim about the impact Terada had on his own work:
“I came across him in the magazine Comickers after I completed my mandatory military service. I thought, ‘Wow! Such a thing exists in the world.’ I’ve been deeply affected by his work. It was really honourable that he came here. I had been in touch with him after we met by chance in America, in San Diego. I really appreciate that he took the time to come and draw with me.”
Though he has dodged the question in the past, I was determined to get a definitive answer about Kim’s rumoured photographic memory. His response in full was:
“I enjoy observing things everyday. I examine entire rooms when I enter and I collect a lot of visual resources. Gathering these resources and surfing the internet are two of my daily tasks. And I try to look at a lot of magazines, from all genres. I’ve saved these resources and look at them at least once a day to store them in my memory, as much as I can.”
The fact that Kim has to make an effort to memorize things on a daily basis, combined with the fact that almost all experts have debunked the notion of an eidetic memory in adults, means that the answer has to be “no.” The issue is complicated somewhat as there is no term for photographic memory in Korean.
Kim completed his second live drawing in front of another large crowd on Sunday. This time he arranged a group of cyborgs, sushi chefs, samurai cats, kaijū (monsters) and more into a crowded restaurant scene in another 3 hour session.
I’ve witnessed numerous live painting events in Japan of varying quality over the years. This experience was completely different. Watching the ideas fall, fully formed out of his head onto the paper without any need to map anything out or retrace his steps was a wonder to behold. Not a single stroke was wasted. And each part of the the picture was pieced together as if it already existed. Kim tried to reassure the audience during a Q and A session that the piece had plenty of mistakes.
Despite his relative proximity to Tokyo, Kim is still yet to cross paths with one of his biggest Japanese influences, Akira creator Katsuhiro Otomo.
“I went to Akita prefecture when I was in the third grade of middle school,” Kim recalls. “When I found Otomo’s comic in a bookstore there I stopped still for around thirty minutes. It was the first time that I felt shocked by the sight of a drawing. I should be able to meet him next year in France, at the Angouleme Comic Festival. I’d like to say thank you to him in person, because I heard that he’s been kind enough to spread the word about my work to other artists in Japan.”
With all these trips around the world Kim has become a little distracted from his latest collaboration, the French comic book Spy Games. “The first part has been released, and more than ten parts will be published in total,” Kim stated.
“This will become my longest project. So I should be doing this work now, but I’m not. That’s a problem,” he laughed.
While Kim goes back to work on Spy Games, his exhibition continues at the one room gallery Hidari Zingaro until the 26th of May. Around a hundred of JungGi Kim’s works are on display, including highlights from his sketchbooks and his comic books.
Korean translations by Jihyun Na