Tokujin Yoshioka’s Glass Project

A mini retrospective at 21_21 Design Site for the artist of spectral light.

poster for Tokujin Yoshioka Glass Project

Tokujin Yoshioka Glass Project

at 21_21 Design Sight
in the Roppongi, Nogizaka area
This event has ended - (2017-11-02 - 2017-11-13)

In In the News Main Article 1 Reviews TAB News by Mac Salman 2017-11-03

Anyone who has visited the Impressionist section of the Musee D’Orsay in Paris and wanted to sit down and admire some of the masterpieces has interacted with Tokujin Yoshioka’s work. His mesmerizing Water Block glass benches have been a permanent fixture there since 2011. He also has works in the permanent exhibitions of other key institutions, such as the Honey-Pop chair at the V&A in London and MoMA in New York.

Now those in Tokyo can enjoy Yoshioka’s “Glass Project.” This small exhibition at 21_21 Design Site Gallery 3 until 13 November provides a brief retrospective of Yoshioka’s career so far. The works begin outside with Waterfall, a table made of the world’s largest optical glass. The piece captures magical reflections of the cedar trees in Midtown Park and the Tadao Ando-designed museum.

Tokujin Yoshioka's 'Waterfall' (2006) outside 21_21 Design Site

On entering the building, you are greeted with a 12-minute video that showcases Yoshioka’s design, beginning with Transparent Glass House (2002) and Chair That Disappears in the Rain (2002–2003), on through to his incredible Kou-An Glass Tea House (2011) and proposal for the Tokyo 2020 Olympic Stadium. Yoshioka’s plan was ultimately not chosen, but incorporated Shintoistic elements and drew inspiration from the stadium’s location in the Meiji Jingu Outer Garden.

The exhibition also highlights corporate collaborations, such as the 2009 Moon Fragment bottle created for Cartier, and Stellar, a 2010 installation at the Swarovski Crystal Palace. You can see an actual example of this year’s Prism Dom Pérignon case with labels Yoshioka designed himself for the 2009 vintage.

In that same corporate vein, the exhibition is organised by watch maker Seiko and supported by Issey Miyake Inc. This allows them the opportunity to showcase their Glass Watch, a collaboration with Yoshioka taking its place as the sixteenth in the series ‘Issey Miyake Watch Project.’

Tokujin Yoshioka's 'Glass Watch' (2017) for the Issey Miyake Watch Project

Also on display are pieces showing the continual evolution of Yoshioka’s works, such as Water Block – Katana (2017), a beautiful take on the Water Block concept. The triangular form of the bench harks back to the 500 prisms he used in his 2010 masterpiece Rainbow Church. Admission to “Glass Project” is free and provides a nice aperitif before heading to Wild: Untamed Mind next door in the Design Sight main building.

Mac Salman

Mac Salman. Mac hails from England and has travelled to over 100 countries. A Tokyo resident for over a decade, Mac has been a respected analyst and commentator on Japan, its culture, art and economy, tackling subjects as diverse as The Tokyo Yakult Swallows Baseball Team to the impact of negative interest rates. He has been frequently quoted in the media, and has been featured in Reuters, The New York Times The Japan Times, The (London) Times, Bloomberg, CNBC, Forbes, The Financial Times and SNL, amongst others. Mac is the Founder of Maction Planet, which specialises in Tokyo Travel and Apparel. Amongst their many private tour offerings they run renowned specialised Tokyo Art Tours, and their T-shirt lines often involve collaboration with domestic and overseas artists. » See other writings

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