The 26th edition of the Tokyo International Film Festival (TIFF) wrapped on October 25th.
Looking back on fifty years of the D&AD Awards
Large-scale interactive works by Mariko Mori at Louis Vuitton Espace.
Luke Fowler and Toshiya Tsunoda’s installation orienteers a “landscape” through sound and image that is rooted in cinema.
An introduction to the performances of artist and musician Asuna.
Images of Japan’s beach culture by Eiichiro Sakata.
The NACT opens one of the most comprehensive exhibitions of American pop art ever to be seen in Japan.
Media artist and aviator Kazuhiko Hachiya exhibits his latest creation.
An exhibition of post-war Californian design
‘Design Ah!’ shows an A-B-C of what design can be.
Street artist JR brings his poster art project to Tohoku and Tokyo.
Daisuke Yokota’s highly processed photography leaves a sinister impression.
The 16th Japan Media Arts Festival at the National Art Center, Tokyo
The 13th Edition of Tokyo FILMeX has wrapped. This year’s installment of the festival showcases two dozen new films by Asian directors, including five from Japan.
A landmark exhibition for controversial artist Makoto Aida at Mori Art Museum
The first large-scale exhibition for the controversial unit Chim Pom
Tokyo’s first major retrospective of the post-war art movement
Internet meme photographer Natsumi Hayashi’s first solo exhibition in Tokyo.
The festival showcased Chris Marker, and new Japanese and global film talent
Thomas Demand’s contemplations on memory, photography and the media
Daido Moriyama proves he still matters in 2012
Oliver Payne’s exhibition of new works at Nanzuka
Hiroshi Sugimoto’s take on the history of clothing and its relation to the human race
Katsuhiro Otomo returns to Neo-Tokyo
Art meets activism at the Watari Museum of Contemporary Art
Ken Okiishi “(Goodbye to)” at Take Ninagawa
Celebrating the avant-garde graphic design work of Aleksandr Rodchenko
A photography exhibition explores the significance of the national flag.
Naoyuki Hata’s “Pelletron new no.4” takes absolute lack of understanding as its starting point.
Prisoners and un-publishing in Nakameguro
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