MOT Satellite Fall 2018

The Kiyosumi-Shirakawa neighbourhood opens itself up to creative events while the Museum of Contemporary Art, Tokyo is closed.

poster for MOT Satellite 2018 Fall -To Become a Narrative

MOT Satellite 2018 Fall -To Become a Narrative

at MOT Space C
in the Kiyosumi, Ryogoku area
This event has ended - (2018-10-20 - 2018-11-18)

In Reviews by Mac Salman 2018-11-06

The eastern-Tokyo district of Kiyosumi-Shirakawa has many charms – quaint shops, amazing temples and a vibe unique amongst Tokyo neighbourhoods. However, the small businesses, cafes and restaurants must be missing the traffic the Museum of Contemporary Art, Tokyo used to bring before its temporary closure for renovations until March 2019.

Nozomi Suzuki, ‘The Light of Other Days’ (2018). A coat of photosensitive emulsion is applied to the window of Shirakawa Nichome Town Council Hall (MOT Space G).

Luckily this situation is being rectified through the third MOT Satellite program held all over the neighbourhood. Galleries, shops, old izakaya bars, temple walls and former factories are being taken over by exhibitions and installations with the aim of bringing the MOT Collection into the open, all under this autumn’s theme of “To Become a Narrative”.

Seven MOT Spaces house the main exhibits. “MOT Spots” compliment these shows, presenting works such as “River of Colors, Colors of River”, the large banners Chika Higashi has painted on the walls of Zentokuji Temple and other buildings. Higashi’s works riff on the theme of “river”, used as the final character in the Japanese writing of Kiyosumi-Shirakawa (清澄白河).

Nozomi Suzuki plays a big role in this year’s MOT Satellite. She has small displays scattered across the neighbourhood in cafes, shops, and MOT Spaces D and G. Featured are her pinhole camera prints on paper and objects, which she creates using holes encountered in daily life. A selection of her works are exhibited in MOT Spots B, C, and E.

Suzuki thinks about what places have “seen” over time and prints these “memories” directly onto the glass of buildings. The Shirakawa Nichome Town Council Hall (Space G) has been given over for this endeavour with “The Light of Other Days” (2018). The effect is spectacular, with the main window etched with scenes of a matsuri (festival) that must have passed this building annually over decades. The imprinting of the negatives onto a building also evokes the shadows of Hiroshima.

Photographer Hiroshi Shimura talks about his work at the Press Day for MOT Satellite Fall 2018 (Oct. 20).

Hiroshi Shimura has opened up his gallery Grantchester House (Space B), established in in 2011, to exhibit his fish-eye lens photography. Some outstanding shots of London and Tokyo from the 1960s to the present day sit side by side. On the second floor of this unique space there is a chance to explore camera obscura and magic lanterns with digital updates, too.

As well as art and photography, film plays a role in this session of MOT Satellite. A film by the pioneering Minimalist Dennis Oppenheimer from the MOT Collection is on show in the izakaya Kyu-shubo Koiji (MOT Space E), making the venue as interesting as Oppenheimer’s conceptual dances. The most relevant of the film exhibits has to be “Classic and New” by the Korean video artist Yeondoo Jung in MOT Space C. Shown on three large screens, it portrays Kiyosumi-Shirakawa through the thoughts and energies of children, long-term residents and a rakugo comedian, intertwining their stories in a visual journey through the past, present and future of this distinctive neighborhood.

Nozomi Suzuki, ‘Monologue of the Light’ (2018). Gelatin Silver Print. A view though a hole in the wall of the Museum of Contemporary Art, Tokyo.

The MOT Space exhibits are open on Fridays, Saturdays, Sundays and national holidays through November 18. The shows at MOT Spots are viewable depending on the opening times of the venues hosting them. Friday would be the recommended day to go as it is quieter than the weekends. In any case, this movement of contemporary art outside of the museum and into the streets of one of Tokyo’s most delightful districts is highly recommended.

Mac Salman

Mac Salman. Mac hails from England and has travelled to over 100 countries. A Tokyo resident for over a decade, Mac has been a respected analyst and commentator on Japan, its culture, art and economy, tackling subjects as diverse as the Tokyo Yakult Swallows baseball team to the impact of negative interest rates. He has been frequently quoted in the media, and has been featured in Reuters, The New York Times, The Japan Times, The (London) Times, Bloomberg, CNBC, Forbes, The Financial Times and SNL, amongst others. Mac is the Founder of Maction Planet, which specialises in Tokyo Travel and Apparel. Amongst their many private tour offerings they run renowned specialised Tokyo Art Tours, and their T-shirt lines often involve collaboration with domestic and overseas artists. » See other writings


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