An installation exhibition composed out of actions and various other elements. One's first impression of this show - which includes the merging of words and image pixels, podcasting, and physical realisations of idealised situations - might be that it's all a bit vague. However, it is probably in none other than those things, those worthless things themselves, that the world gasps in awe. At the basis of Yoshida's methodology there lies a kind of confidence in the world. Visitors to this exhibition will probably be disappointed as they encounter these worthless goings-on. And yet, within those feelings of mild irritation one can only take a new look at where all one's expectations have come from.
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