Aki Inomata + Aki Toiya Exhibition
This event has ended.
This exhibition at Gallery Teo is the first gallery show for two young artists who have just completed their graduate studies.
Aki Inomata, who is showing in Room One, was born in 1983. She majored in Advanced Arts and graduated from the Tokyo University of Fine Arts and Music this March.
In today's media-saturated environment where digital networks have almost completely replaced face-to-face contact and letters as communication tools, and where digitally processed information has become ubiquitous, this digitally-controlled information makes up an entire virtual world that appears to continually displace reality.
Inomata ventures to tackle the perfectly ordinary and familiar aspects of life - enjoying the movement of ripples on the surface of water, wiping condensation off car windows, making tracks on fallen snow...Through carefully conceived installations, Inomata allows audiences to reexperience these "real" sensations by paradoxically using digitally-controlled virtual means of expression.
This work also comes out of experience working in theater with Juro Kara, using the man-made device of the stage fused against a background of nature, using that natural backdrop as a form of "borrowed scenery" (shakkei). This installation works with the same principles of economy.
The work "0100101" in this exhibition seems to be standing on the surface of a body of water, but is in fact a virtual projection of water ripples on the floor with a palpable form. More than the perception of a "real" water surface and its ripples, however, what is more striking is the feeling of brimming color and light, prompting a reconsideration of realistic sensations ironically through the deployment of virtual means used to achieve that effect.
On display in Room Two is the work of Aki Toiya, born in 1980. Toiya graduated this March from the oil painting course at Musashino Art University.
While studying there, Toiya worked mostly with skirt designs and braided cords, expressing these aspects of "girlhood" through oil paintings and sculptures. Toiya gives subjective expression to what she calls "crystals of memory" lying latent in each of us, things we have felt and registered as emotions, overlapping and intertwining with each other in complex ways.
The largest work in this exhibition, a painting entitled "Twilight" measuring 2.6 meters across, depicts landscapes and sceneries from memory that prompt viewers to wonder if they have not themselves seen them somewhere. In another two-meter painting entitled "uta", a girl's skirt appears positively unreal, being made up of many faces and alternately absorbing and radiating light. "Banana's Torso," a ceramic sculpture, captures the whirlwind dance made by the skirt of a girl spinning round and round, giving the illusion of perpetual movement and the feeling of a living, moving thing.