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Shinji Ihara “Hakata Gion Yamakasa Otoko E-zu”
Ken Nakahashi
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Artists
Shinji Ihara
Shinji Ihara looks to his close friends - people he loves - and to himself, exploring how each exist in relationships to others. Featuring primarily male figures, his work is already gaining wider public interest. Titillating and drawing the viewer into an inner esoteric world, his paintings hold a unique fixation. As viewers we are confronted with disquieting palpitations within our innermost primeval selves.
This is Ihara’s second solo exhibition at matchbaco comprising his latest works from his <> series and featuring his hometown Fukuoka’s feisty festival, called “Hakata Gion Yamakasa”.
Since 2010 the sheer vanity and intricately intertwined traditions and histories of Matsuri behind its aureate exterior have transfixed and waylaid Ihara on a path of continuous exploration for his <> series.
The usual landscapes and crowds, Ihara deftly prunes out of each painting, highlighting the painstaking details of each figure. The impression of these images becomes suspended … an obliviousness to the passage of time … representing the artist’s self-imagined backdrop.
“The primary image and memories that spring to mind when I withdraw into the innermost recesses of my heart, give me new inspiration for my work”Ihara says.By gazing on anonymous male adults unnoticed by anyone, Ihara flawlessly breathes life into one’s very own senses - viewers themselves now replace the crowds in sync with the throbbing, pulsating motions and presence of the male bodies.
Pursuing unconventional painting methods in his new series, Ihara leverages the textures of the canvas, featuring flash moments, with layers upon layers of delicate colored brushworks realistically depicting the atmosphere and nostalgia of male figures wearing traditional Happi and Shimekomi loincloth belts …Ihara’s devotion to the illusion of Matsuri is laminated in each painting we see a depth, especially selected colorations and composition which buttress a vivid impression on viewers.
This is Ihara’s second solo exhibition at matchbaco comprising his latest works from his <
Since 2010 the sheer vanity and intricately intertwined traditions and histories of Matsuri behind its aureate exterior have transfixed and waylaid Ihara on a path of continuous exploration for his <
The usual landscapes and crowds, Ihara deftly prunes out of each painting, highlighting the painstaking details of each figure. The impression of these images becomes suspended … an obliviousness to the passage of time … representing the artist’s self-imagined backdrop.
“The primary image and memories that spring to mind when I withdraw into the innermost recesses of my heart, give me new inspiration for my work”Ihara says.By gazing on anonymous male adults unnoticed by anyone, Ihara flawlessly breathes life into one’s very own senses - viewers themselves now replace the crowds in sync with the throbbing, pulsating motions and presence of the male bodies.
Pursuing unconventional painting methods in his new series, Ihara leverages the textures of the canvas, featuring flash moments, with layers upon layers of delicate colored brushworks realistically depicting the atmosphere and nostalgia of male figures wearing traditional Happi and Shimekomi loincloth belts …Ihara’s devotion to the illusion of Matsuri is laminated in each painting we see a depth, especially selected colorations and composition which buttress a vivid impression on viewers.
Schedule | Jul 29 (Fri) 2016-Aug 20 (Sat) 2016 Opening Hours Information
Opening Reception Jul 29 (Fri) 2016 18:00 - 21:00 | ||||||
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| Fee | Free | ||||||
| Venue | Ken Nakahashi https://kennakahashi.net/en  | ||||||
| Location | 5F, Shinjuku bldg. 2, 3-1-32 Shinjuku, Shinjuku-ku, Tokyo, 160-0022 | ||||||
| Access | 2 minute walk from exit C1 or C5 at Shinjuku-sanchome Station on the Marunouchi, Fukutoshin or Toei Oedo line. 6 minute walk from the South East exit of JR Shinjuku Station. | ||||||
| Phone | 03-4405-9552 | ||||||
| Related images | Click on the image to enlarge it |
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