Upon the raw surface of reused aluminum formwork, the sculptural language of Kwangho Lee finds new resonance. In collaboration with Format, their inaugural series emerges at SKAC. The “O” resists a single definition. It may suggest cycle, infinity, or connection—or, to some, it reads as zero, circle, or simply the letter O. Open to interpretation, the form stretches across language and perception, expanding like a universe of endless possibility. For its debut, Original Line embraces the unvarnished character of reclaimed aluminum in three variations: Stool (O-O-S1), Chair (O-O-C1), andBench (O-O-B1). Each shares a common sculptural vocabulary, yet holds its own presence as an independent work of art. O Series signals only a beginning—an evolving language of form that will continue to expand through Lee’s distinctive explorations of material.
HAZIME