The National Romantic Style of Eliel Saarinen

Glimpses of early Finnish modern architecture

poster for Eliel Saarinen and His Beautiful Architecture in Finland

Eliel Saarinen and His Beautiful Architecture in Finland

at Panasonic Shiodome Museum of Art
in the Ginza, Marunouchi area
This event has ended - (2021-07-03 - 2021-09-20)

In Reviews by Alma Reyes 2021-08-06

Exterior view of Finnish Pavilion at Paris World Fair 1900 © Lahti City MuseumScandinavian architecture and design has always upheld its superior level of craftsmanship and natural aesthetics. Yet, until the late 19th century, its castles and cathedrals were constructed basically in historical styles borrowed from other countries. Traditional buildings were generally made up of vernacular wood, stone or brick structures. From the 20th century, Scandinavian architects began to adopt international styles, especially when several of them pursued advanced studies in the West. Nonetheless, the uniqueness they instilled in their designs always reflects a tinge of tradition and modernity while nurturing the importance of the natural environment.

Panasonic Shiodome Museum of Art pays tribute to one of the grandmasters of Scandinavian architecture, Eliel Saarinen in “Eliel Saarinen and His Beautiful Architecture in Finland” until September 20th. Saarinen was largely recognized for his Art Nouveau buildings and his major achievement with the Finnish Pavilion at the Paris 1900 World Fair. The pavilion paved the international road for Saarinen. Although his team composed of Herman Gesellius and Armas Lindgren garnered the competition award, most of the credit was rendered to Saarinen, who spent the winter of 1899-1900 in Paris with his wife to supervise the construction and attend the fair’s opening ceremony. The building was praised for the use of Finnish motifs, such as bears, frogs, squirrels, and other Finnish wildlife, mixed with National Romanticism and Art Nouveau styles. It also displayed ceiling frescoes themed after the Finnish myth Kalevala, furnishings and ceramics by Alfred William Finch from the local Iris pottery factory, and textiles woven by The Friends of Finnish Handicraft founded in 1879. Many of these can be viewed in the exhibition, including architectural drawings, photographs, a scale model, and an Iris chair. It was also said that the phenomenal success of the pavilion ignited a political statement for Finland independency during an era when the country was still a part of Russia.

Main spiral staircase of Pohjola Insurance Company Building © Museum of Finnish Architecture/Karina Kurz, 2008

Saarinen studied at the Helsinki University of Technology. In 1896, he formed the Gesellius-Lindgren-Saarinen partnership, which propelled a series of successful projects. Apart from the Finnish Pavilion and National Museum of Finland, the team also designed the Pohjola Insurance Company Building in 1901. The building is a beautiful masterpiece of decorative work inspired by the Kalevala myth. The exhibition presents photographic and drawing details of gargoyles, monsters, squirrels, tree reliefs and grotesque figures adorning the edifice. They capture the ideal essence of Finland’s natural characteristics, therefore, attributing to the National Romantic style. The most captivating feature in the building is the famous spiral staircase with semi-circular landings and cast iron railings decorated with pine tree, fern leaf and troll motifs.

Hvitträsk, north elevation of Lindgren’s home (left), south elevation of Lindgren’s home (right), cross section of the studio © Gesellius-Lindgren-Saarinen Architect Office, digital reproduction (original watercolor and ink on thick paper), The Museum of Finnish Architecture, 1902

Hvitträsk, dining room © Ilari Järvinen/Finnish Heritage Agency, 2012

Eliel Saarinen, Chicago Tribune Tower design proposal, perspective sketch, digital reproduction (original pencil and ink on paper), © The Museum of Finnish Architecture, 1922Finland is famed for its enchanting forests and lakes. Saarinen and his architectural partners fell in love with the scenery around Lake Vitträsk, around 20 kilometers from central Helsinki, so they decided to purchase a parcel of the lake property in 1901. They converted it into their studio residence in the National Romantic style. The Hvitträsk (White Lake), hence, was divided into the southern wing occupied by Saarinen’s family, the northern wing that housed Lindgren’s family, and a separate building “Lilla Villan” (Little Villa) built for Gesellius and his sister, textile artist Loja, who later married Saarinen after his divorce. The entire complex is a work of art in itself. Photographs, plans, and architectural drawings reveal every detail from the windows, doors, floors, lights, furniture, and accessories all designed by the trio. You can take a glimpse of a photograph of the sophisticated dining room with its Gothic arched windows and stained glass. The interiors evoke the spirit of English Arts and Crafts movement, late 19th century cism, and a touch of Jugendstil, all blended with Finnish materials, motifs and methods. Hvitträsk is central to Saarinen’s personal life and career, as many of his projects were conceptualized here, including the Helsinki Central Station. It became the childhood home of his son Eero, who became one of the modernist era’s prominent architects and industrial and furniture designers. He designed the plan for the north wing around 1929-1936. Today, the villa is a museum that can be visited by the public.

In 1922, Saarinen won second place for his design of the Chicago Tribune Tower. It became an iconic modernist skyscraper with neo-Gothic influence. The achievement prompted him to move to the U.S., which further accelerated his success. He became the first president of the Cranbrook Academy of Art in Michigan, which he also designed. In the following years, Eero succeeded his father’s position as an architecture educator. Some of Eero’s furniture designs are displayed in the exhibition.

While the exhibition consists of only one hall, the curation is wonderfully presented with arches and door openings echoing Saarinen’s revolutionary design and Finland’s peaceful natural surroundings. Visitors may be tempted to visit Finland after seeing this exhibition.

*Reservations are required for this exhibition. Users of the TAB and MuPon apps are eligible for admission discounts.

Alma Reyes

Alma Reyes. Editor, writer, graphic/layout designer, and music artist promotion/event coordinator based in Tokyo, Japan. Holds a Bachelor's degree in Interior Design, studied Computer Graphic Design at University of California Berkeley, Japanese language studies at Osaka University of Foreign Studies, and received her Master's degree in Product Design & Design Management at Kyoto Institute of Technology. Has published over 30 titles as an editor and writer. Interests include design, architecture, art, photography, brush calligraphy, music, piano, concerts, film, theatre, books, poetry, travel, retro, boats, horses, wine, Italian food, and all "uninhibited" elements of life… » See other writings

Comments

About TABlog

TABlog's writers deliver regular reviews, features and interviews to stimulate discussion about all sides of Tokyo's creative scene.

The views expressed on TABlog are those of the author and do not necessarily reflect those of their employers, or Tokyo Art Beat, or the Gadago NPO.

All content on this site is © their respective owner(s).
Tokyo Art Beat (2004 - 2021) - About - Contact - Privacy - Terms of Use