News / Articles


Surface, Sublime, Annihilate: A Review of Nile Koetting’s “Polyharmony”

Mar 12, 2024

Noma Kyoto (Part 2) - The Second Half of the Course at the Kyoto Pop-up and Comparison with Central in Peru

Jun 23, 2023

Noma Kyoto (Part 1) - The First Half of the Course at the Kyoto Pop-up

Jun 23, 2023

Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

Feb 13, 2023


Expanding the Framework of “Art”: Cosmology of Yasuo Nomura

Sep 16, 2022

Fourteen “novels” against the larger narrative. “Seven/Seven: The Fraught Landscape” Review (by Takuma Ishikawa)

Jul 1, 2022

The Magical Forms of Fernando Botero

May 21, 2022

Self-regeneration in the Mermaid’s World

May 10, 2022

Pastoral Redemption, Glimpses of Perfection

Apr 27, 2022

Floral Expressions of Life and Death

Apr 5, 2022

A Watari-um Trip Through Our Visual-centric Existence

Mar 31, 2022

A Design Fantasy Originating in Vienna

Mar 4, 2022

Chasing the Horizon: 1952-2022

Feb 16, 2022

Surrealism in Fashion: Expressions of Bizarre Imagination

Feb 15, 2022

Finnish Design: Aesthetics Rooted in a Connection With Nature

Jan 17, 2022

Art Above the Seacoast of Atami

Jan 14, 2022

A Japanese Textile Town Celebrates its Heritage

Jan 5, 2022

East Meets West at Marubeni Gallery

Dec 21, 2021