Reviews

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Noma Kyoto (Part 2) - The Second Half of the Course at the Kyoto Pop-up and Comparison with Central in Peru 

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Noma Kyoto (Part 1) - The First Half of the Course at the Kyoto Pop-up

Koji Fukada at the “Wendelien Van Oldenborgh, Unset on-set” (Museum of Contemporary Art Tokyo) Photo by Tokyo Art Beat

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Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

View of Yasuo Nomura’s InsideOut 2022 at the exhibition Photo by Shotoku Koh


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Expanding the Framework of “Art”: Cosmology of Yasuo Nomura

Fourteen “novels” against the larger narrative. “Seven/Seven: The Fraught Landscape” Review (by Takuma Ishikawa)

"Botero: Magic in Full Form" at the Bunkamura Museum of Art, Photo: © Alma Reyes

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The Magical Forms of Fernando Botero

"A Mermaid’s Territory—Flags and Internal Organs #003" (2022), Acrylic, pastel and coloured pencil on paper, © BuBu de la Madeleine, Courtesy of Ota Fine Arts

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Self-regeneration in the Mermaid’s World

Ryuji Foujita, Quiet Town, 1997, Private Collection

Foujita Quiet Town

Pastoral Redemption, Glimpses of Perfection

【6】スタジオでのダミアン・ハースト

Floral Expressions of Life and Death

Installation View of "I Love Art 16: Vision – Focusing on Drawings by 15 Artists Including Warhol, Beuys, and Paik"; Photo by Alma Reyes

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A Watari-um Trip Through Our Visual-centric Existence

Felice Rix-Ueno, detail of the 1963 mural at Actress, the former restaurant at Nissay Theatre; poster color, aluminum leaf, Japanese paper; University Art Museum, Kyoto City University of Arts; Photo by Alma Reyes

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A Design Fantasy Originating in Vienna

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865), Ishibashi Foundation, Artizon Museum, (Photo by Ishibashi Foundation, Artizon Museum)

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865)

Chasing the Horizon: 1952-2022

Noritaka Tatehana, “Heel-less Shoes/Lady Pointe” (2004), Cowhide, pig suede, color, glass crystal, satin ribbon, private collection, photo by Gion


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Surrealism in Fashion: Expressions of Bizarre Imagination

"Finnish Design for Everyday Life – Patterns and Forms Inspired by Nature" exhibition hall, Bunkamura (Photo: Yuya Furukawa)

Finland Design Exhibition Hall

Finnish Design: Aesthetics Rooted in a Connection With Nature

Hiroshi Yoshida "Changgyong Palace" (1937), Woodblock, Paper, MOA Museum of Art

Hiroshi Yoshida "Changgyong Palace"

Art Above the Seacoast of Atami

Shinji Ohmaki's "The Shadow of Time" at the former Suruga Bank

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