View of Yasuo Nomura’s InsideOut 2022 at the exhibition Photo by Shotoku Koh


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Expanding the Framework of “Art”: Cosmology of Yasuo Nomura

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Interview with Yuya Hashizume: aesthetic of “casualness” and respect for Fujiko F. Fujio

Conceptual drawing for the "Kohoo" guest room

MI Sumiya Kihoan Room Project Plan

A Kyoto Inn Lets Guests Lodge in an Artistic Vision

Kenny Schachter　Money Money Money　2021

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Why “NFTism” is life itself: Interview with Kenny Schachter 

Fourteen “novels” against the larger narrative. “Seven/Seven: The Fraught Landscape” Review (by Takuma Ishikawa)

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Interview with Kathleen Jacobs: Abstract paintings born from the collaboration with the natural environment

From left: Risaku Suzuki, Toshio Shibata, and Yuri Mitsuda at Artizon Museum; Photo: Tokyo Art Beat

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【Talk】Toshio Shibata x Risaku Suzuki x Yuri Mitsuda: Chemistry Between Two Photographers and a Museum

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Art and Fashion: A Game of Their Own

"Botero: Magic in Full Form" at the Bunkamura Museum of Art, Photo: © Alma Reyes

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The Magical Forms of Fernando Botero

"A Mermaid’s Territory—Flags and Internal Organs #003" (2022), Acrylic, pastel and coloured pencil on paper, © BuBu de la Madeleine, Courtesy of Ota Fine Arts

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Self-regeneration in the Mermaid’s World

The lobby of Galleria Midobaru (Photo: Jennifer Pastore)

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Galleria Midobaru: A Beppu Art Oasis

Ryuji Foujita, Quiet Town, 1997, Private Collection

Foujita Quiet Town

Pastoral Redemption, Glimpses of Perfection

【6】スタジオでのダミアン・ハースト

Floral Expressions of Life and Death

Installation View of "I Love Art 16: Vision – Focusing on Drawings by 15 Artists Including Warhol, Beuys, and Paik"; Photo by Alma Reyes

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A Watari-um Trip Through Our Visual-centric Existence

Felice Rix-Ueno, detail of the 1963 mural at Actress, the former restaurant at Nissay Theatre; poster color, aluminum leaf, Japanese paper; University Art Museum, Kyoto City University of Arts; Photo by Alma Reyes

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A Design Fantasy Originating in Vienna

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Yoko Kawada: Designer / Maker / Kintsugi Practitioner

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865), Ishibashi Foundation, Artizon Museum, (Photo by Ishibashi Foundation, Artizon Museum)

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865)

Chasing the Horizon: 1952-2022

Noritaka Tatehana, “Heel-less Shoes/Lady Pointe” (2004), Cowhide, pig suede, color, glass crystal, satin ribbon, private collection, photo by Gion


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