News / Articles


Interview with Terry Winters: The Painting is Completed as Something Beyond My Imagination

Apr 25, 2023

【Talk】New Dumb Type: Interview with Ken Furudate x Satoshi Hama x Aoi Yamada Commemorating the “Dumb Type, 2022: remap” Exhibition (Artizon Museum)

Apr 7, 2023


Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

Feb 13, 2023


【Talk】Shinro Ohtake x Kazuko Koike: Turning Simmering Anger Into Creativity

Jan 12, 2023

Interview with Yuya Hashizume: aesthetic of “casualness” and respect for Fujiko F. Fujio

Sep 7, 2022


Why “NFTism” is life itself: Interview with Kenny Schachter

Aug 13, 2022

Interview with Kathleen Jacobs: Abstract paintings born from the collaboration with the natural environment

Jun 30, 2022

【Talk】Toshio Shibata x Risaku Suzuki x Yuri Mitsuda: Chemistry Between Two Photographers and a Museum

Jun 28, 2022


Yoko Kawada: Designer / Maker / Kintsugi Practitioner

Feb 22, 2022

Yuri Shimmyo: Playful Observer

Nov 9, 2021

Ryan Gander Interview

Aug 21, 2021

Tokyo Art Beat, Then and Now: A Conversation

Aug 5, 2021

Yokohama Triennale 2008: Joan Jonas

Jul 21, 2021

Kisho Kurokawa on Building the National Art Center

Jul 21, 2021

Kisho Kurokawa on the Nakagin Capsule Building

Jul 21, 2021

Jörgen Axelvall

Jul 16, 2021

Kathleen Reilly: The Road from Glasgow to Tsubame

Jul 6, 2021

Form and Function: An Interview with Sophia Emmett

May 18, 2021