Toshiki Okada × Maho Isono | Breaking Through: How "Autumn Meteorite 2025 Tokyo" Aims to Transform Performing Arts
Interviews
Mizuki Takeuchi
Who Is Shutendōji? Two Beginnings of the “Japan’s Most Famous Demon” at the Suntory Museum of Art
Redefining Painting Through Technology and Reproduction: Interview With Wade Guyton (Interviewed by Tomohiro Masuda)
Multiplying History, Techniques and Concepts: B-OWND Paves the Way for New Kogei Art
Yuko Mohri and Sook-Kyung Lee Discuss Japan Pavilion at the 60th Venice Biennale
Interview With Ho Tzu Nyen: Accessing History of Others and Infinite Multiplicities of Time (Interviewed by Chiaki Soma)
The Beginning Place: Long Interview with Yoshitomo Nara
Interviews
Noriko Miyamura
TeamLab Global Director Takashi Kudo on TeamLab Borderless' Move to Azabudai
Multiple Alternatives: Mapping Contemporary Art Scenes in Asiaー Interview with Jiwon Yu
Contemporary Art, Internationalism, Young Artists and Censorship in Thailand: Interview with Apinan Poshyananda
Transnational Perspective of Ming Wong: Cantonese Opera Meets Science Fiction (Interviewed by Kyongfa Che)
Interview with Terry Winters: The Painting is Completed as Something Beyond My Imagination
【Talk】New Dumb Type: Interview with Ken Furudate x Satoshi Hama x Aoi Yamada Commemorating the “Dumb Type, 2022: remap” Exhibition (Artizon Museum)
Interviews
Tamaki Sugihara
Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”
Interviews
Natsuko Fukushima
【Talk】Shinro Ohtake x Kazuko Koike: Turning Simmering Anger Into Creativity
Interviews
Tamaki Sugihara
Interview With Yuya Hashizume: Aesthetic of “Casualness” and Respect for Fujiko F. Fujio
Interviews
Tamaki Sugihara
Why “NFTism” is life itself: Interview with Kenny Schachter
Interviews
Yayoi Shionoiri
Interview With Kathleen Jacobs: Abstract Paintings Born From the Collaboration With the Natural Environment