Interviews

Toshiki Okada × Maho Isono | Breaking Through: How "Autumn Meteorite 2025 Tokyo" Aims to Transform Performing Arts

Who Is Shutendōji? Two Beginnings of the “Japan’s Most Famous Demon” at the Suntory Museum of Art

Redefining Painting Through Technology and Reproduction: Interview With Wade Guyton (Interviewed by Tomohiro Masuda)

Multiplying History, Techniques and Concepts: B-OWND Paves the Way for New Kogei Art

Yuko Mohri and Sook-Kyung Lee Discuss Japan Pavilion at the 60th Venice Biennale

Interview With Ho Tzu Nyen: Accessing History of Others and Infinite Multiplicities of Time (Interviewed by Chiaki Soma)

The Beginning Place: Long Interview with Yoshitomo Nara

TeamLab Global Director Takashi Kudo on TeamLab Borderless' Move to Azabudai

Multiple Alternatives: Mapping Contemporary Art Scenes in Asiaー Interview with Jiwon Yu

Contemporary Art, Internationalism, Young Artists and Censorship in Thailand: Interview with Apinan Poshyananda

Transnational Perspective of Ming Wong: Cantonese Opera Meets Science Fiction (Interviewed by Kyongfa Che)

Interview with Terry Winters: The Painting is Completed as Something Beyond My Imagination

【Talk】New Dumb Type: Interview with Ken Furudate x Satoshi Hama x Aoi Yamada Commemorating the “Dumb Type, 2022: remap” Exhibition (Artizon Museum)

Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

【Talk】Shinro Ohtake x Kazuko Koike: Turning Simmering Anger Into Creativity

Interview With Yuya Hashizume: Aesthetic of “Casualness” and Respect for Fujiko F. Fujio

Why “NFTism” is life itself: Interview with Kenny Schachter

Interview With Kathleen Jacobs: Abstract Paintings Born From the Collaboration With the Natural Environment

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