News / Articles


The Beginning Place: Long Interview with Yoshitomo Nara

Feb 24, 2024

TeamLab Global Director Takashi Kudo on TeamLab Borderless' Move to Azabudai

Feb 2, 2024

Multiple Alternatives: Mapping Contemporary Art Scenes in Asiaー Interview with Jiwon Yu

Dec 27, 2023

Contemporary Art, Internationalism, Young Artists and Censorship in Thailand: Interview with Apinan Poshyananda

Oct 17, 2023

Transnational Perspective of Ming Wong: Cantonese Opera Meets Science Fiction (Interviewed by Kyongfa Che)

Oct 10, 2023

Interview with Terry Winters: The Painting is Completed as Something Beyond My Imagination

Apr 25, 2023

【Talk】New Dumb Type: Interview with Ken Furudate x Satoshi Hama x Aoi Yamada Commemorating the “Dumb Type, 2022: remap” Exhibition (Artizon Museum)

Apr 7, 2023


Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

Feb 13, 2023


【Talk】Shinro Ohtake x Kazuko Koike: Turning Simmering Anger Into Creativity

Jan 12, 2023

Interview With Yuya Hashizume: Aesthetic of “Casualness” and Respect for Fujiko F. Fujio

Sep 7, 2022


Why “NFTism” is life itself: Interview with Kenny Schachter

Aug 13, 2022

Interview With Kathleen Jacobs: Abstract Paintings Born From the Collaboration With the Natural Environment

Jun 30, 2022

【Talk】Toshio Shibata x Risaku Suzuki x Yuri Mitsuda: Chemistry Between Two Photographers and a Museum

Jun 28, 2022


Yoko Kawada: Designer / Maker / Kintsugi Practitioner

Feb 22, 2022

Yuri Shimmyo: Playful Observer

Nov 9, 2021

Ryan Gander Interview

Aug 21, 2021

Tokyo Art Beat, Then and Now: A Conversation

Aug 5, 2021

Yokohama Triennale 2008: Joan Jonas

Jul 21, 2021