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Sorayama: Light, Reflection, Transparency -Tokyo-
Creative Museum Tokyo
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Artists
Hajime Sorayama
We are pleased to announce SORAYAMA: Light, Reflection, Transparency -TOKYO-, the largest retrospective ever dedicated to world renowned artist Hajime Sorayama.
The exhibition will be held from March 14 to May 31, 2026, at CREATIVE MUSEUM TOKYO in Kyobashi, Tokyo.
The Tokyo exhibition will showcase Sorayama’s very first robot painting, created in 1978 for a whisky advertisement, alongside his wide ranging explorations of robotic forms such as dinosaurs and unicorns. Highlights include the original design drawings for AIBO, the entertainment robot dog he designed for Sony, the iconic Aerosmith album cover artwork, as well as his newest sculptural works and an immersive digital installation.
This exhibition offers a rare opportunity to experience, on an impressive scale, the very essence of Sorayama’s lifelong pursuit: the expression of light, reflection and transparency.
Hajime Sorayama has consistently articulated his artistic vision as a pursuit of "light," "reflection," and "transparency." This pursuit reflects his ongoing efforts to depict light in ways that surpass the limitations of traditional painting. As Sorayama has repeatedly stated, “To depict light, it is necessary to depict air; to depict air, it is necessary to depict transparency; the key is how to master the expression of reflection.” These words embody his relentless exploration of new forms of expression that challenge the boundaries of artistic representation.
Much like Leonardo da Vinci, who developed the sfumato technique to capture atmospheric perspective, or the Impressionists, who used pointillism to express light, Sorayama continually pushes himself to create visual illusions that have never been achieved before. His work represents an extraordinary attempt to capture the unseen and explore the deepest layers of human perception.
Sorayama’s depictions of robots, human figures, animals, and dinosaurs offer a speculative vision of a future beyond the physical limitations of living beings. His work invites us to imagine an aesthetic future where organic life forms have merged with mechanical civilization. These creations stir our imagination, intertwining themes such as the nature of human intellect, the body, and time. Additionally, they raise profound questions: Will technology transcend the limits of the human body, granting eternal life? Or will a future emerge where artificial intelligence coexists with humanity?
This exhibition offers a comprehensive overview of Sorayama’s artistic evolution and creative journey from the late 1970s to the present, serving as the most extensive retrospective of his career and the definitive culmination of his life’s work.
The exhibition will be held from March 14 to May 31, 2026, at CREATIVE MUSEUM TOKYO in Kyobashi, Tokyo.
The Tokyo exhibition will showcase Sorayama’s very first robot painting, created in 1978 for a whisky advertisement, alongside his wide ranging explorations of robotic forms such as dinosaurs and unicorns. Highlights include the original design drawings for AIBO, the entertainment robot dog he designed for Sony, the iconic Aerosmith album cover artwork, as well as his newest sculptural works and an immersive digital installation.
This exhibition offers a rare opportunity to experience, on an impressive scale, the very essence of Sorayama’s lifelong pursuit: the expression of light, reflection and transparency.
Hajime Sorayama has consistently articulated his artistic vision as a pursuit of "light," "reflection," and "transparency." This pursuit reflects his ongoing efforts to depict light in ways that surpass the limitations of traditional painting. As Sorayama has repeatedly stated, “To depict light, it is necessary to depict air; to depict air, it is necessary to depict transparency; the key is how to master the expression of reflection.” These words embody his relentless exploration of new forms of expression that challenge the boundaries of artistic representation.
Much like Leonardo da Vinci, who developed the sfumato technique to capture atmospheric perspective, or the Impressionists, who used pointillism to express light, Sorayama continually pushes himself to create visual illusions that have never been achieved before. His work represents an extraordinary attempt to capture the unseen and explore the deepest layers of human perception.
Sorayama’s depictions of robots, human figures, animals, and dinosaurs offer a speculative vision of a future beyond the physical limitations of living beings. His work invites us to imagine an aesthetic future where organic life forms have merged with mechanical civilization. These creations stir our imagination, intertwining themes such as the nature of human intellect, the body, and time. Additionally, they raise profound questions: Will technology transcend the limits of the human body, granting eternal life? Or will a future emerge where artificial intelligence coexists with humanity?
This exhibition offers a comprehensive overview of Sorayama’s artistic evolution and creative journey from the late 1970s to the present, serving as the most extensive retrospective of his career and the definitive culmination of his life’s work.
Schedule | Mar 14 (Sat) 2026-May 31 (Sun) 2026 Opening Hours Information
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| Fee | Adults ¥2500, University Students ¥1800, High School Students ¥1500, Junior High and Elementary School Students ¥1000 | ||
| MuPon | ¥300 off ¥200 off for elementary–university students  Download the TAB app to get a discount on entry to this event. ※Paid subscriber only | ||
| Website | https://sorayama2026.jp/ | ||
| Venue | Creative Museum Tokyo https://creative-museum.tokyo/?lang=en | ||
| Location | 6F Toda Building, 1-7-1 Kyobashi, Chuo-ku, Tokyo 104-8388 | ||
| Access | 3 minute walk from exit 6 at Kyobashi Station on the Ginza line, 5 minute walk from exit B1 at Nihombashi Station on the Ginza and Tozai lines, 5 minute walk from exit A7 at Takaracho Station on the Toei Asakusa line, 7 minute walk from the Yaesu Central exit of JR Tokyo Station. | ||
| Related images | Click on the image to enlarge it  |
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ken
昨日、SORAYAMA 光・透明・反射 -TOKYO- を見に行ってきました！ 作品そのものの存在感はもちろんですが、 光の当たり方や周囲の反射まで含めて空間全体が完成していて、ただ展示を見るというより“体感する”感覚に近かった。 金属の質感や透明感の表現が本当に美しくて、 特にセクシーロボットシリーズは見る角度によって印象が変わるのも面白かった。無機質で未来的なのに、どこか色気や生命感もあり、不思議な魅力がある展示だったと思います。 SNSで見ていた時より実物の迫力が圧倒的で、光と反射によって作品が常に違う表情を見せてくれるから、気づいたらかなり長い時間見入っていた。 空間演出も含めてかなり好きな展示でした。 展示会で販売されていたオリジナルグッズも世界観がしっかり作り込まれていてすごく良かったです。種類も豊富で作品の空気感をそのまま持ち帰れるような感覚があって、細かいデザインまでつい見てしまいました。 展示もグッズも含めて、とても印象に残る空間でした。
NH
近未来か、どこか別の惑星にワープしたような気持ちになる不思議な空間が広がっていました。吸い込まれるように平面の絵に近づいていくと、繊細に立体が表現されていて、これが光・透明・反射なのかと圧倒されました。無機質な質感にも挑発的なセクシーさが宿っていたり、どこか寂しさや静かな怒りみたいなものが感じ取れるものもあり、そのミスマッチさにとても惹かれました。ずっと見ていたくなる時間をありがとうございました。
奏大
平面と立体のバランスが良かった
Erika
終わる2日前に行きました。滑り込みで行って大満足。言ってなかったら絶対後悔してた。メタルな立体アートはもちろん、絵画も素敵で、良い時間を過ごせました